Lee Aaron

Lee Aaron. She is one of Canada’s most iconic vocalists, a songwriter, producer, and fearless re-inventor. She was one of the very first women writing and performing hard rock, releasing her first album (The Lee Aaron Project) at the age of only nineteen. Her sophomore release, 1984’s Metal Queen solidified Aaron as a trailblazer for women in rock in the 80’s with the title track – an anthem of feminine empowerment and shout-out against the sexism toward women in that genre – garnering her respect and legions of rock fans around the globe. Over the years it has become an enduring anthem of empowerment for men and women alike. Aaron went on to work with producers like Bob Ezrin (Alice Cooper, Pink Floyd) Peter Coleman (Blondie, Pat Benatar) and appear on the Scorpions Savage Amusement album singing BGs after producer Dieter Dierks heard her perform live while recording her 1987 concert in Mannheim, Germany with his mobile studio. Later releases, 1989’s Bodyrock and 1991’s Some Girls Do both reached multi-platinum status and included chart-toppers like “Whatcha Do To My Body” and “Hands On.” She’s shared stages with Heart, Bon Jovi, Joan Jett, Suzi Quatro, Sinead O’Connor, Mötley Crüe, Van Morrison, and more. Chart Magazine proclaimed Aaron’s Bodyrock LP (1989) one of the 20 most influential Canadian albums of the 80’s with Alanis Morrisette and Shania Twain both “under Aaron’s influence.”

18 Albums into her career, Aaron has written, recorded and produced music achieving gold and multi-platinum sales. Recognized as one of Canada’s top rock vocalists she’s also made forays into jazz, blues, and even opera, receiving numerous awards and accolades and most recently, a 2023 induction into Canada’s Walk of Fame.

“The one thing I’d never done was a full covers album,” says Aaron. “It seemed like a really cool and super fun project to tackle at this point…”

Taking a nostalgic journey, Tattoo Me pays homage to musical trailblazers who helped shape her own artistic path. As a reflection of her eclectic taste, yet in keeping with a profound respect for the greats, these 11 dynamic tracks are a unique tapestry of influences that transcend era and genre.

“It started out as a heartfelt nod to artists we’d been influenced by in our youth, but the truth is, we didn’t stop being influenced or being fans at 18, so the list kept evolving. It covers a few decades and a few unconventional choices, but it was incredibly rewarding to make!” she states.

Each track is a labour of love, infused with Aaron and her band’s signature rock ’n’ roll swagger, yet in keeping with a sense of reverence for the originals.

The album was produced by Aaron in her Vancouver studio and mixed by multi-media genius Frank Gryner (Rob Zombie, L7, Def Leppard, Larkin Poe, Ian Hunter and more).

“One of the positive things that came out of the pandemic was that we all upgraded our home studios and got very good at engineering and recording ourselves. No one was under the pressure of a studio clock, so the performances are as genuine as they’re gonna get.”

From the sizzling blues-rock of 1960’s Nina Simone’s “The Pusher,” to the rebellious energy of 1972 Alice Cooper’s “Is It My Body,” Aaron growls, purrs, whispers and wails, sounding like she’s having an absolute blast infusing these songs with her own fiery spirit. Her voice is as versatile and powerful as ever.

Standout tracks include a rendition of Led Zeppelin’s “What Is And What Should Never Be,” Heart’s “Even It Up” and Hole’s “Malibu.” Stellar performances by Aaron’s long-term band: Sean Kelly (guitar), Dave Reimer (bass) and John Cody (drums) effortlessly channel these ’70s and ’80s rock giants and seem to capture the original magic of each of the tunes.

Another gem is Aaron’s take on Elton John’s “Someone Saved My Life Tonight.” Kelly’s gorgeous acoustic guitars create the soundscape, then strings and lush harmonies support her stirring vocal performance. The tribute is passionate and heart-felt. She reflects, “I spent hours and hours laying on my basement floor with headphones listening to “Someone Saved My Life Tonight” on repeat. I desperately wanted someone to save me from my boring life when I was a teenager…music ended up being that for me.”

The album also takes some unexpected turns, with delightful interpretations of songs from a diverse range of artists, including late ’90s Brit-Pop band Elastica, California’s 77s and The Undertones. Each track echoes the vibe of the era while seamlessly fitting into the lineage of Aaron’s own storied career.

Tattoo Me is a sonic time capsule, bridging the decades. Once again, cementing her status as a rock ’n’ roll chameleon, Aaron blends the old and the new, proving not only that the transcendent power of music never stops, but that she herself isn’t ready to anytime soon.